“Heart of Darkness” Begins and ends in London ; on the Nellie on the Thames. The most portion. nevertheless. takes topographic point in the Congo ( now known as the Republic of the Congo ) . The Kongo. as it was originally known. was inhabited foremost by pigmy folks and migratory ‘Bantus’ and was ‘discovered’ by the Portuguese in the fourteenth Century. The Lusitanian brought with them Catholocism ; European missionaries. The Congo was ruled by King Alfonso I from 1506 – 1540 and Shamba Bolongongo from 1600 – 1620. The slave trade was rife in the Congo. from about 1500 until 1830. King Leopold of Belgium ruled. between 1878 and 1908. and would hold been King at the clip “Heart of Darkness” was set. Conrad himself really arrived in the Congo on 12 June 1890. and it would be safe to state that he would hold used his experience in the Congo when composing “Heart of Darkness” .
At its clip of composing for Blackwood’s Magazine ( December 1898 ) . Britain was in its last old ages of Victorian regulation. Queen Victoria was really the niece of King Leopold of Belgium. Britain was the most powerful and influential state on Earth ; its Empire spread throughout Europe. Asia and Africa. Joseph Conrad. born in the Ukraine in 1857. as Jozef Teodor Konrad Korzeniowski. as the writer. was an foreigner looking out. Neither British nor African. he seemed to be the perfect campaigner for composing approximately two states he had cognition of – England and the Congo.
African geographic expedition was rather popular ; in Conrad’s twenty-four hours. Livingstone died in 1873. in Ilala. Africa. and Stanley returned from his concluding African expedition in 1890. As geographic expedition was popular. so was the escapade narrative – narratives of African geographic expedition were available in copiousness. Imperialism was besides a popular subject at this point in the late 19th Century. Conrad’s novelette. whilst to modern-day critics ( Achebe. for illustration ) may look racialist ; at the clip was accepted as another piece of work from a really much published genre. The novelette is literally filled with actual and metaphoric antonyms ; the Congo and the Thames. black and white. Europe and Africa. good and evil. pureness and corruptness. civilization and ‘triumphant bestiality’ . visible radiation and the really ‘heart of darkness’ .
Conrad portrays British imperialism in the possibly naif character of Marlow. who is glad to see the “vast sum of red” on the Company’s map ; meaning the British district. He is glad that “real work is done there” ; intending redemption. faith. civilization and commercialism. The world of the colonialism is portrayed by Conrad in the signifier of the District Manager ; a existent imperialist. taking full advantage of his place and that of the settlement. Marlow sees the Manager’s merely positive quality as the fact that he was ne’er ill. From what Marlow knows of Kurtz. it is evident that Marlow sets Kurtz on a mental base ; as the adult male who is conveying civilization. through Imperialism. to the barbarians. and yet still managed to harvest more wages. in the form of tusk.
Marlow’s sentiment of Imperialism is dented clip and once more by his witnessing the lengths the Imperialists would travel for net income. This sentiment is destroyed. wholly ; when Marlow really meets Kurtz. and realises that ; far from suppressing the darkness. Kurtz himself has been conquered by the darkness. The functions of Kurtz’s ‘Intended’ and the African adult female who appeared to be his kept woman are frequently noted to be of great importance. The European’s pure religion in Kurtz’s good nature contrasts with Marlow’s cognition of his corruptness.
Conrad sets the Intended up to symbolize the removedness of the British from the events in Africa. She is bereaved and full of the dreams of what might hold been. had Kurtz non died. Kurtz’s ‘mistress’ shows non grief at Kurtz’s going. but a definite rebelliousness ; she being the merely native still standing after Marlow sounded the steamer’s whistling. The Intended’s cognition of Kurtz. whilst she claimed to hold known ‘him best’ was uncomplete. even illusive. The memory she is left with is itself a prevarication ; provided by Marlow.
The adult females have two sets of features ; apparently the recognized Victorian values and the post-colonial values. The Victorian reading would demo the Intended as feminine. beautiful and saintly. justly in a province of mourning. even a twelvemonth after Kurtz’s decease. Her artlessness would propose her pureness. The Intended would hold symbolised civilization. The kept woman would demo as masculine. barbarian. careless of the fact that her loved one was go forthing. The African adult female would hold symbolised the barbarian unknown that was Africa. The post-colonial reading would demo the Intended as foolish. mourning a adult male she hardly knew. Her artlessness would propose her naivete ; her religion based upon a prevarication. The kept woman would demo as titillating. populating on in independency without Kurtz. The African adult female here would hold symbolised the fact that Africa did non necessitate Britain’s ‘salvation’ . reverse to the British belief. based upon a prevarication. propaganda symbolised by the Intended’s religion.