“Hawk Roosting” is one of the many verse forms published by Ted Hughes during his literary calling covering with animate being and nature. In this verse form we have a Hawk who thinks that everything in nature is inferior to him and he will let no alteration in his life. The stylistic devices used by Hughes make this verse form harsh and dynamic demoing us an aggressive. tough-minded and glooming image of the Hawk and at the same clip realistic. which help to mirror the character of the Hawk.
The verse form is written in six regular stanzas. each dwelling of four poetries ( quatrain ) and this emphasize on the uniformity of idea on the portion of Ted Hughes and the Hawk. The universe of the Hawk is regimented. neat. good organized. controlled and the regularity in the signifier of the verse form lucifers those qualities really good. The fact that there is no development in the signifier at the terminal of Hawk Roosting indicates that the Hawk will non compromise till the very terminal of the verse form:
“Nothing has changed since I began. My oculus has permitted no alteration. I am traveling to maintain things like this. ”
Since the verse form has no discernible riming strategy. it clearly indicates that the life of the Hawk excessively does non hold any limitations and he has full freedom. The physical representation of the verse form is purely directed by the arrogance of the Hawk as it prevents several efforts at punctuation. for illustration. the terminal of stanza three continues into stanza four without any punctuation. Through the usage of stylistic devices like terminal stopped line and enjambement. Ted Hughes makes the manifestation of the condescension of the Hawk in the verse form more apparent.
The Hawk is the talker of the verse form and we see the universe through his eyes via a monologue and this makes the verse form a subjective 1. The poetic tenseness is launched right from the really first poetry of the first stanza: distinct from other birds the Hawk can shut his eyes without experiencing endangered when he sleeps. Since the Hawk makes an car description of himself as an incarnation of liberty and that he can kill dauntlessly shows the component of struggle in the verse form. The Hawk’s tone of voice is proud. egocentric and domineering and this is stressed by the sweetening from the point of view of the first individual narrative:
“I sit in the top of the wood…”
The I-figure. which is the Hawk. is really much dominant with “I” . “me” “mine” and “my” . The selfish attitude of the Hawk makes the tone genitive and violent:
“I kill where I please because it is all mine”
The tone of Hawk Roosting is endangering. confident. absolute and braggart because of the proud mentality of the Hawk:
“My manners are rupturing off heads”
The tone of the verse form ties in with the important attitude of the Hawk seeing himself as a slayer. a God or a male monarch. The Hawk expresses himself in short and snappish words and sentences:
“The Sun is behind me”
This makes the tone of the verse form every bit powerful as the Hawk. Almost all poetries in the verse form are short with unsophisticated linguistic communication. For case. the Hawk uses simple but powerful words like “perfect kills” and this underlines his haughtiness about his first-class organic structure and actions. The four poetries in the last stanza are rather short and all terminal with full Michigans. This technique corresponds with that of the Hawk who excessively uses direct and simple method to kill. The realistic tone and the end-stopped lines intimation that the bird will non do any grant and this brings a sense of threat to the reader. These short. earthy and looking statements with batch of full Michigans enable to propose the certainty of the Hawk. The immodest nature of the Hawk is obvious when he uses ordinary linguistic communication to state that even in his slumber he “makes no falsification dream” . The vocabulary utilizations by the Hawk is a mixture of ordinary and unusual words such as “rough bark” and “sophistry in my body” and this shows us convulsion in nature with the egotistic attitude of the Hawk in the wood. The Hawk in Hughes Hawk Roosting is vigorous. really much healthy. determined and exalted and this is stressed through vowel rhyme ( “arguments asserts” ) and repeat ( “foot” . “feet” ) . The physical description the Hawk gives of himself through initial rhyme confirms his self-importance:
“Between my aquiline caput and my aquiline feet”
There is much powerful imagination in the verse form. which helps to uncover the character of the bird. The Hawk is presented as being destructive. crude and merciless and this is expressed through violent images. These stylistic devices makes the haughtiness of the bird becomes more heightened.
The technique of theanthropism is really much poignant in the verse form with the ascription of human feelings to the Hawk as Hughes writes in an imagined voice of the Hawk. We have figure of address whereby the bird is given human quality. The Hawk is personified with his human nature features and this reinforces his authorization. Through the personification of the Hawk. the poet describes the bird as a subsister and a slayer and this strategy enables him to compare the independency of the Hawk to move on impulse with the manner we are controlled by ideas and set of Torahs:
“My manners are rupturing off heads”
The usage of nonliteral linguistic communication makes the verse form and the haughtiness of the Hawk more vivid. The Hawk sees himself as the nucleus of the Earth and the acme of creative activity and this is put into speech pattern with the usage of metaphor:
” Now I hold creative activity in my pes of fly up. and go around it slowly”
The Hawk humanizes a leader who controls everything around him and this is emphasized with his condescending linguistic communication. The usage of metonymy makes the poem intense:
“I sit on the top of the wood. my eyes closed”
The metonymy makes obvious the baronial rank of the Hawk who is like a male monarch in the human royal monarchy. The figure of address where the Hawk is replacing the male monarch underlines the power swayers particularly dictators believe they have and all animals of God are symbols of lower status that must function them. The important tone and metaphor of the verse form even depict the Hawk as God:
“Now I hold creative activity in my foot”
The Hawk can be compared to God when we see the huge stretches of the Earth revolves under him while he swivels in the air above and like God he reins everything and takes life whenever he wants and this is seen in his sponsoring tone:
“No statements assert my right”
Through theanthropism in Hawk Roosting Ted Hughes makes a sarcasm on the chesty attitude of human existences particularly the indurate leaders. those who are hungering for power and the people who wants to replace God.
Hence we can state that the stylistic devices used by Hughes are really much eloquent as reinforces the haughtiness. domination and pitilessness of the Hawk. Both in signifier and content there is much correspondence between Hawk Roosting and Hurt Hawks of Robbin Jeffers.