A narrative of Gods. nymphs. ancient Indian mythology. enchantments and love. the romantic comedy Shakuntala by Kalidasa is a dateless classic. Similar secret plans are still being used in dramas. Television shows and films today. over two thousand old ages subsequently ; adult male falls in love with miss. something happens that doesnt let them to be together. another event happens that allows them to be together with a happy stoping. Shakuntala tells the narrative of the supporter. King Dushyanta. falling for a immature adult female named Shakuntala. Their love brings us on a journey that makes us laugh. call cryings of hilarity and sorrow. and even blows us away by some of the beautiful imagery/poetry.
The drama commences with King Dushyanta on a Hunt. so happening himself in the presence of three adult females at an ashrama ( sacred topographic point ) . One of these adult females is Shakuntala. whom Dushyanta falls instantly in love with. Their common attractive force finally blossoms into a love affair. but one twenty-four hours as Dushyanta is off. a anchorite puts a expletive on Shakuntala. She was excessively distracted by ideas of Dushyanta to have him as a invitee. and so he cursed whoever/whatever she was believing of. The expletive caused Dushyanta bury all about Shakuntala. However. the anchorite had a little alteration of bosom. Because Shakuntala was excessively busy thought of Dushyanta. the anchorite told her friends that if Dushyanta were presented with a meaningful object stand foring his relationship with Shakuntala. he would recover his memory of her. Unfortunately. as Shakuntala greeted Dushyanta one time more. she discovered that he did non retrieve her.
She remembered that he had given her a ring while they were together. but as she looked down to give it to him she realized it had slipped off her finger. likely while she was in the Ganges River. Shakuntala was so taken away by an unseeable nymph up into the sky. Subsequently on. a fisherman ( who was taken captive for larceny ) returned to the king the ring he had found and stolen from the Ganges. The king all of a sudden remembered everything about Shakuntala. He returned to the ashrama to detect that he now had a boy born from Shakuntala. The flood tide is reached as Dushyanta and Shakuntala run into eyes one time more with a powerful connexion. They fall back in love with each other and are blessed with ageless felicity by Maricha the perfect. This narrative starts us off with the confrontation between Dushyanta and Shakuntala. so brings us to a minute of pick when Dushyanta is greeted by the apparently unknown Shakuntala. and concludes with the lovers being reunited.
Dushyanta and Shakuntala are the chief characters of the drama. but even though the drama is named Shakuntala. one believes that the supporter is in fact Dushyanta. He is represented as a echt male monarch. all around nice adult male. hankering for love. When he sees Shakuntala he is non thirsty with lecherousness. but merely a gentleman interested in prosecuting a healthy relationship. However. we see that when he is king ( when Shakuntala arrives at his castle ) he is governing. merely and powerful. Shakuntala is a immature. beautiful. guiltless adult female. but she is besides cautious and pessimistic. At first sight of Dushyanta she stands guard of her emotions. At 2nd sight she instantly presumes that its non traveling to turn out right ( p. 49 ) .
Throughout the drama. the bulk of lines are spoken in prose. non verse. On the other manus. there are several times when a verse form or lyric ( written by Kalidasa himself ) is said by one of the characters. which makes the drama seem more poetic and rhythmic. On top of that. most of the voices offstage speak in poetry. One believes that the writer didnt want to get away the tradition of poetry ( ie. Ancient Greek calamities ) . but besides wanted his ain turn on the signifier of the linguistic communication.
The subject is hard for one to set his finger on. One subject is the battle for one adult male ( Dushyanta ) to accomplish the love of a adult female. but his battle is in vain as another adult male ( the anchorite Durvasas ) takes the ideas from that same adult female. Even though it is non a state of affairs where another adult male steals a womans bosom. one believes that possibly the writer wanted to portray the pig farm of work forces and how the competition between work forces is to be everlasting. Another subject could be that of love at first sight and how it is non merely true but a portion of life. Either manner. the chief subject is of troubled. confounding. powerful love and how it can be achieved by two people. even in the most delicate of state of affairss ( i. e. A male monarch who has lost his memory and the emotionally sensitive girl of a nymph ) .
This drama is a romantic comedy. and the tone does justness to that genre. There is the love affair between the two chief characters. and the comedy which
is brought out in their state of affairs. their linguistic communication and the Jester character. Like every romantic comedy today. there is the inevitable dip in the secret plan which arouses different emotions in its audience ( i. e. unhappiness. choler. confusion ) . Overall. nevertheless. the stoping is a happy 1. doing this drama an absolute delectation to read.
Throughout the drama. the audiences response to each action takes them on an emotional rollercoaster. We are swayed to the male monarchs side as he pursues love and love affair. and shortly we are suddenly changed to Shakuntalas side as she is left entirely and in desperation. The ups. downs. turn and turns we are taken on as the drama displacements from comedy. to woo. and to tragedy. leaves the audience with a meaning-experience: although the drive may be chilling. by the terminal youre in love and willing to make it all over once more.
This plays staginess calls for three separate sets: the wood of the ashrama. the castle. and the scenes in forepart of the drape. The ashrama should look welcoming. friendly. warm-spirited and nice. In contrast. one believes the castle should be big. intimidating and cold. The scenes in forepart of the drape ( where Anasuya and Priyamvada pick flowers ) need merely to hold a few leafy vegetables that symbolize a field. one in which the two friends can research.
This drama already has some similar traits to todays films. For illustration. Sleepless in Seattle. starring Tom Hanks and Meg Ryan. brings us on the journey of two people who are on opposite sides of the state. They know that theyre in love but can ne’er look to acquire together because of their location and besides their state of affairs ( Meg Ryans character has a fiancee ) . But by the terminal of the movie the lovers are united atop the Empire Sate Building ( reminiscent of An Affair to Remember ) in what is. inarguably. one of the most romantic scenes captured on movie to day of the month.
This type of secret plan has been used more than frequently in the past few old ages. so conveying this drama into the modern universe has already been proven as a success. If one were to do an exact remaking of this drama with a modern turn. one would merely alter around a couple things: alternatively of being a male monarch. Dushyanta could be a member of parliament. perchance a city manager. Besides. Shakuntala could be. alternatively of the girl of a nymph and a sage. that of a normal Catholic household.
Shakuntala is a narrative that takes the audience on a meaning-experience journey akin to a roller coaster drive. The ups and downs and turns and turns excel even the Gods. It is good meriting of its fame. as is a drama that is capable of touching the Black Marias of any individual who has experienced the challenges and wagess that come manus in manus with love.
Bibliography: Shakuntala by Kalidasa